Tuesday, October 25, 2005

A heaping spoonful of emo (vol. 6) -

I just had a baby (see previous post) and I haven't felt this "emo" in years (LOL). That's why the sounds of these two bands are just really getting me today.

Get Up Kids were from Kansas City and throughout their career played music that began as simple poppy post-hardcore but (as they matured) became infused with a touch of Americana. I first heard them on the Woodson 7" that (along with a few of their other records) was put out Doghouse Records. Those two songs (IMHO) and "Dottie.." from their Post Marked Stamps split 7" with Braid are their three best songs. Call me jaded, but their early stuff is by far their best.

I was fortunate enough to see them live quite a few times. Two particular times that stand out are at the Fireside Bowl with Braid, 90 Day Men, and Jimmy Eat World on a cold Decemeber evening in 1997 and again a few years later at Metro with At The Drive-In and Ultimate Fakebook. They played amazing and impassioned sets both times.

The Get Up Kids first full-length CD, Four Minute Mile (too me at least) is plagued by a sloppy recording and low production values. Their second album Something To Write Home About was released by Vagrant Records and propelled them to emo superstardom. A much more solid effort that their previous one. On A Wire was a disappointment to me and to a lot of other fans. Their direction changed too drastically and it just didn't feel like the Get Up Kids anymore. After re-releases of some earier EP's and a b-sides album, they released The Guilt Show shortly before their break-up. Suprisingly, I think it is probably their strongest full-length album to date. A blending of their rough emo-punk sound with the rural-esqe of their hometown.

I heard about their break-up earlier this year, but knew it was inevitable. All the members have (however) continued on in other bands. The New Amsterdams, Reggie And The Full Effect, and Blackpool Lights being those bands.

I consider myself lucky to have been going to school in Champaign-Urbana, IL while Braid was doing there thing. And while I'm not sure how they are regarded outside of the Midwest, here they are kings.

I first heard Braid at a Champaign Park District concert on 9/6/96. It was an outdoor show and they played with another favorite of mine, Hum. I can recall thinking that it was punk music that didn't sound punk. I went out and bought their album The Age Of Octeen the following day. I saw them live at least a dozen (maybe more) times at house parties in Urbana to one of their final shows at the Metro in Chicago. They were consistently amazing.

From the screamy post-hardcore of their debut album Frankiewelfareboyagefive on Divot Records to the near-perfect emo-pop of their final 7", the music of Braid never let me down. They played 537 shows (excluding the 2004 reunion tour) during their 5 year existence and put out more records than I can even count. Three great full-lengths, a live ablum that documents one of their final shows, and a 2-disc collection that contains all their compilation tracks and 7" records. Their final album Frame and Canvas as well as the 2-disc Movie Music collection and tons of 7" records were released on Polyvinyl Records.

When I heard they were splitting up in 1999, I was devastated. Here was a band that had "spoken" to me. Their music had a little of the DC sound but was always held together by pop melodies. The dual vocals of Bob Nanna and Chris Broach added a whole different layer of depth that most bands simply can't match. What would we do without Braid around?

Well... three-fourths of Braid (Bob, Todd, and Damon) formed (the now-defunct) Hey Mercedes, while Chris continued to work on Firebird Band material. Chris also runs Lucid Records and Todd (along with original drummer Roy) run a record label called Grand Theft Autumn. While these bands were good, none of them captured the magic that Braid had. The dynamics between Bob and Chris created such tension in the music that it just explodes out of your speakers. Bob is currently working with/as The City On Film.

Bifocal Media also re-released the Braid DVD Killing A Camera last year to coincide with the band's 2004 reunion tour. As great as those shows had to have been, I didn't attend any of them. I didn't want to have to give up one of my all-time favorite bands twice.

MP3 | Get Up Kids - Second Place Woodson EP
MP3 | Braid - Forever Got Shorter Post Marked Stamps 7"

7 Comments ↓

Blogger carterwong  at 5:53 PM 

I was listening to your post of Second Place to see if it was on a GUK record that i own, and it sounded familiar...not because it is on one of my records, but because i've heard a cover of it. I don't know if you're familiar with Coalesce, but they are the ones who covered it. They are like a harcore/growling vocals/rolling guitars band. I'm not really big on hardcore music, but this band isn't that bad, and their cover of second place is actually quite good (as i remember it, it has been a few years). I believe GUK covered one of their songs too. This was back in the day when "emo" bands and "hardcore" bands were somehow classified as being almost the same thing. is that still the case? Did you ever hear/see/experience this? im from kankakee, and among the "hipsters" here, that seemed to be the case.

Blogger Kurt  at 8:04 PM 

Nice post, Skipper. Funny that the two GUK shows you mentioned you went to with me. Ha!
In case other people didn't know this, Forever Got Shorter is the best Braid song ever. Good choices today.

Blogger Eric  at 9:44 PM 

Carter - I own that GUK/Coalesce 7". While I'm not an expert on grind or hardcore by any means, "emo" really developed out of the hardcore scene by guys who wanted to add a little melody to hardcore. So the two are and will always be linked in some fashion. Oh the Coalesce version of 2nd place is sick.

Blogger Eric Grubbs  at 9:33 AM 

Eric-
Now you're spotlighting bands that have complete chapters devoted to them in my book! Shall be a good read (at least I think so!).

Funny side note - if there was one possible alternate book title, I would have gone with Forever Got Shorter

Blogger andy  at 1:58 PM 

Another fine post. Your blog is a surefire trip back to the good old c-u days. I hadn't seen the Get Up Kids in a really long time, but couldn't pass up the chance to see their last chicago show. I don't know if it was the bourbon or the music, but seeing them play songs off of 4 minute mile, even with reggie messing up the songs (he's a distraction in my opinion) made me feel all sappy. And that GUK/Coalesce split 7" is a classic. But what about the GUK/Braid split? "Postmark Stamps"or something? I remember that record being all the rage for the kids who couldn't get their hands on one, myself included.

Blogger Eric  at 6:00 PM 

Kurt - Forever Got Shorter is indeed the best Braid song, hence its inclusion here.
Grubbs - You have chapters devoted to each of these bands for a good reason. They were two of the best.
Andy - It had to be the bourbon. You were never the sappy emo type. In fact, you gave me shit for my emo leanings. I agree 100% with your comments about Reggie being a distraction.

Blogger andy  at 12:37 PM 

chalk it up to musical immaturity.

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