Richmond Fontaine – We Used To Think The Freeway Sounded Like A River

Richmond Fontaine - We Used To Think The Freeway Sounded Like A RiverWilly Vlautin just might be the best songwriter in America that no one knows. His latest album as the frontman of Richmond Fontaine, We Used To Think The Freeway Sounded Like A River, is the band’s ninth and is their best to date. Richmond Fontaine’s dark, dusty and barren Americana is the perfect canvas for Vllautin’s almost too true to life tales of despair, but sounds much more of the desert Southwest than the bands home of Portland, Oregon. Vlautin is a published novelist his lyrical vignettes are captivating even if mostly devoid of melody. We Used To Think… is full of bleak and hopeless stories of disappointment and it cuts to the bone while the band delivers a desolate musical accompaniment that’s filled with pedal steel, mariachi trumpets, and dark atmospheric country tones. However, it isn’t all depressing doom and gloom for Richmond Fontaine as they wade through these fourteen songs. Even though almost everything on We Used To Think… is great, when the band pulls it all together and injects a little more lively melody into the songs (as on “You Can’t Move Back Here”) the results are nothing short of brilliant. RIYL: American Music Club, Calexico, Lowlights, etc…

MP3:
Richmond Fontaine - You Can Move Back Here
Richmond Fontaine - A Letter To The Patron Saint Of Nurses

Alkaline Trio – This Addiction

Alkaline Trio - This AddictionEither I’m just old and terribly nostalgic for “the good old days” or the Alkaline Trio’s new album This Addiction is just disappointing or (more than likely) it’s a combination of the two. Sure, there are shades of the band I used to love, but this isn’t the same Alkaline trio that once (long ago) inspired my wife to get a tattoo of their skull & heart logo; the Alkaline Trio hasn’t been that band for quite some time and it sorta makes me sad.

I was hopeful (as always) about this new album but if I could use only one word to describe the majority of This Addiction it would be well-intentioned but failing to recapture the past. Most of the album feels uninspired and feels like the band is simply going through the motions but Ican’t fault them for that since some days it feels like I’m just going through the motions too. They’ve also stated they are trying to get back to their roots despite a dozen years of moving away from who and what they were way back then. In an attempt to get there, the band even brought in Matt Allison to produce this album (the first Trio album he’s done in a long time) but it only half works. As someone who has been a “fan” of the Alkaline Trio for almost as long as the band has existed, I feel more than qualified to critique and complain about every misstep that they’ve made including this one.

So many of the songs on This Addiction come through my speakers as empty and hollow; like a catchy melody and some words written simply for the sake of writing words. It’s less apparent here than on some of their previous releases, but at some point the Alkaline Trio seems to have become more about image than honesty. Although the band didn’t begin their career writing about puppy dogs and lollipops, it’s been about the imagery of blood, death, vampires and the like for too long in my opinion. They sound like a band stuck with their image.

The title track begins with a punch that recalls the Alkaline Trio of old but despite being uber-catchy, Matt’s vocals in the chorus just seem awkward. Really (though) it’s as good of a start to the album as I could have ever hoped for. “Dine, Dine, Dine My Darling” is a tune sung by Dan that reminds me of “My Standard Break From Life” and (like that song) it is really poppy and a bit out of place here. “Lead Poisoning” is a boring (although upbeat) song that I might as well have never heard. It’s completely unnoteworthy except for the “surprising” trumpet at the end. Thus far, whatever…

From the start, “Dead On The Floor” sounds like a classic mid-tempo Alkaline Trio song (think “San Francisco” but less aggressive) and I love it. It’s my favorite song on the album. “The American Scream” isn’t bad at all and I kinda like the song, but the title isn’t clever and it just lacks any real “oomph.” Dan’s second song on This Addiction is “Off The Map” and (being pretty typical of Dan) is one of the better songs on the record even though it perfectly illustrates just how polished and predictable this current version of Alkaline Trio has become.

It really makes me cringe to say that I really like the melody of “Draculina” because with lyrics like “in the blood and guts and the birds of prey and the stinging of bees,” and a vixen named Draculina as the main character, I can’t take it seriously. They can’t just leave well enough alone. Is “Eating Me Alive” a Heavens song adapted for Alkaline Trio? Again, it’s not terrible, just not really memorable at all. Good thing that it’s followed by “Piss And Vinegar” which is my least favorite song on the album and memorable because of that. I’m not really sure who “Dorothy” is and I really don’t care. The songs here aren’t bad, but they aren’t great. This Addiction is fine and well but it isn’t for me. My apathy is more of a comment about how I feel about the evolution of the band rather than this album in particular.

The album ends with another of Dan’s songs called “Fine” and even though (or perhaps because) it is the least Alkaline Trio sounding song on This Addiction it might just be the best one. I can certainly accept change if it’s good, but in listening to this album I just find myself grasping for things to hold onto; I find myself (more often than not) wishing I was listening to Goddamnit. I’ve accepted that Matt, Dan, and Derek have changed but I also have to accept the fact that I’ve also changed. If you’d have told me when I was 18 that I would someday love alt-country and roots music, I wouldn’t have believed you. You see, the Alkaline Trio and I have grown apart over the years and this isn’t the same band I used to love, and it isn’t fair of me to expect them to be.

MP3:
Alkaline Trio - This Addiction

500 Miles To Memphis – We’ve Built Up To Nothing

500 Miles To Memphis - We've Built Up To NothingOne of my absolute favorite albums of a few years ago is the incredible Sunshine In A Shot Glass from Cincinnati’s 500 Miles To Memphis. That album is overflowing with (quite possibly) the best and most energetic merging of country and punk rock I’ve ever heard. Even 500MTM singer Ryan Mallot’s EP with Kelly Thomas from last year is amazing. It all leads me to the question I’ve been asking and reconsidering ever since first hearing the new 500MTM album We’ve Built Up To Nothing a few weeks ago, “Why was I initially so underwhelmed?”

Where Sunshine In A Shot Glass is instantly infectious and remains so throughout, We’ve Built Up To Nothing is quite as easy or obvious. It’s a bit more of a grower; it’s a bit less pop punk and bit more barroom country rock. My initial reaction is probably due more to my expectations rather than the quality of the record. I’ve listened to the album at least a dozen times since I got it and while there isn’t anything as catchy as “All My Friends Are Crazy” to be found here, there are plenty of hooks and the album is more than solid from front to back. Really, I think this is a really good album.

Frontman Ryan Mallot’s vocals are (again) front and center and rightfully so. I just love this guy’s voice and the slight whine and twang it has. If he was a girl, well, you know… Overall, there’s a slower and more somber tonality to this album than their last one. There’s less urgency but no less passion, perhaps you might call that maturity.

One of the reasons I love 500MTM is that it still gets me when I hear a hardcore-style half-time breakdown in what is essentially a country song. There’s even a riff in the middle of “It’s Alright” that could pass as something from The Shape Of Punk To Come. It all just makes me smile. Another new element that the band employs more of on We’ve Built Up To Nothing is the ample use of a brass section on tracks like “Dejas” and the title track giving them an almost Southwestern flavor.

500 Miles To Memphis might not be the band they once were, but if they keep making records like this one I’ve got no problems with that. We’ve Built Up To Nothing was self-released by the band and is available now.

MP3:
500 Miles To Memphis - It's Alright

Rocky Votolato / Josh Caterer – 2/26/10 @ Schubas

It was two Fridays ago when the Mrs. and I headed downtown to catch Rocky Votolato and Josh Caterer (of the Smoking Popes) live at Schubas. It was simply amazing. Josh opened and I felt like I was one of the only people singing along to every single word. It kinda sucked and struck me as odd considering how great the Smoking Popes are, but people were talking through his entire set (as well as most of Rocky’s). C’mon people, if you aren’t out for the music, what’s the point? Anyhow, Josh played a whole bunch of old material from the Smoking Popes (including “Pretty Pathetic” request by the Mrs.), a Duvall song, and even what Josh described as a new song from what will be a new Popes album! Did I ever mention just how much I love the Smoking Popes?

Next Rocky played an impassioned set of songs old and new from his catalog and firmly cemented himself near the top of my favorite artists list with Makers undoubtedly being my favorite album of his. Check out the 5 videos below for proof.

Just a few things

Attention everyone, you’ve gotta check out the latest edition of the Rocket Fuel Podcast! Jeff interviews Tim from the Mighty Mighty Bosstones and plays (as always) a shitload of great songs. Plus he’s giving away some killer Paper + Plastick merch from Spanish Gamble and We Are The Union. The contest runs through midnight tonight, so enter now.

Additionally my 8 month old little girl is teething, miserable, congested, and has an ear infection. My 4 year old just learned how to whistle over the weekend and now loves what she calls “crazy rock and roll music.” Specific examples include Rise Against and The Suicide Machines. Moments like that are part of what makes being a parent awesome!

Pop Punk Junk Vol. 12


My baby is teething like crazy and sick so I’ve been back and forth between finishing this post and running upstairs to calm her down when she starts crying. What a day…

MP3
Strung Out - Solitaire
from the 1996 album Suburban Teenage Wasteland Blues
The Groovie Ghoulies - Bye Bye Brain
from the 2000 album Travels With My Amp
Allister - Jimmy's Dreamgirl
from the 2000 album Dead Ends And Girlfriends
The Leftovers - Dance With Me
from the 2007 album On The Move
Samiam - She's A Part Of Me
from the 1994 album Clumsy
Supergirls - Minus Me
from the 2000 compilation Punk: It’s All About The Orchis Factor
Crime In Stereo - Nixon
from the 2007 album Is Dead
Nooner - Second Effort
from the 1997 compilation This Is The Lehigh Valley, Not South Park
Get Bent - Ridgewood
from their 2008 demo
Rehasher - Lift
from the 2004 album Off Key Melodies

Pop Punk Junk Vol. 11


Wow! Has it really been over two months since I’ve posted on of these? I guess it has… I won’t make that mistake again. Another thing I don’t think I ever mentioned is that when I was in Allister, we played with the Wunder Years in (I think) Colorado Springs to about six people, but that was something like ten years ago. Still, their song below is great. Enjoy.

MP3
The Queers - Definitely
from the 1995 album Move Back Home
Beat Union - Disconnected
from the 2008 album Disconnected
Alkaline Trio - Jaked On Green Beers
from the 2002 compilation Atticus: Dragging The Lake
Chinese Telephones - I Think I Can Breathe Now
from the 2009 album Chinese Telephones
Smoke Or Fire - Loving Self Loathing
from the 2005 album Above The City
Wunder Years - The Hopeless Romantic
from the 1999 album Pitstops On The Road Less Travelled
The Wonder Years - An Elegy For Baby Blue
from the 2009 Distances split 7″ with All Or Nothing
The Overdrives - Cum Along
from the 1996 split album Shiftin’ Gears, Shootin’ Dears, and Smoking Beers
LaGrecia - In The Grass
from their 2008 album On Parallels
Cobra Skulls - Use Your Cobra Skulls
from the 2007 album Sitting Army

Tom Stormy Trio – Respect For The ’50s

Tom Stormy Trio - Respect For The '50sEvery once in awhile I’m completely surprised by this blog. I mean, things are never dull with two kids at home, but occasionally this blog just leaves me scratching my head. For example, I never thought that I would ever review a Hungarian rockabilly group, but, folks, that day has come. The Tom Stormy Trio plays neo-rockabilly that sounds like an updated version of something almost straight outta the 1950’s. It’s really no surprise that their album is called Respect for the ‘50s. The band features Tom Stormy on drums, Buddy Benkey on double-bass, and singer-guitarist Long Tall Sonny. The music is energetic and even though I’m not a huge fan of rockabilly or garage rock I still think this stuff is pretty good considering what it is. I mean, just look at the album cover; I think these guys are serious. RIYL: Foxboro Hot Tubs, Buddy Holly, Hot Rod Lincoln, etc…

MP3:
Tom Stormy Trio - Duck Tail
Tom Stormy Trio - Red Hot Mama

How Do We Jump This High? – Deep Stationary EP

How Do We Jump This High? - Deep Stationary EPI generally enjoy most of what Dave features on IYMI so I’m not really exactly sure how I missed How Do We Jump This High? for so long. Anyhow, the band features former members of Get Bent (a band I totally loved based solely on their demo) as well as members of Frame. So yeah, what you get on the band’s Deep Stationary EP is not too dissimilar from Get Bent, but more on the emo side of things than the pop punk side so if you like that band (or Latterman for what it’s worth) you’ll probably like How Do We Jump This High? but you’ll also like this band if you like some of the newer wave of emo bands like Algernon Cadwallader or Bridge And Tunnel. Like a perfect melding of urgently shouted but melodic vocals and noticeably noodling mathy emo guitar parts, Deep Stationary is the real deal. Download it for free from www.ifyoumakeit.com.

MP3:
How Do We Jump This High? - See Ya In The Funny Papers

Native – We Delete; Erase EP

Native - We Delete; Erase EPYeah, so Native just released their debut full-length, Wrestling Moves on Sargent House, but this isn’t a review of that record. I could never be that “with it” or “in the know.” Nope. Instead, I offer you a review of their We Delete; Erase EP. It features six songs of skronking algebraic post punk that balances the delicate emo of American Football or Braid with the searing punch of Faraquet, Shellac, or (maybe) Lustre King. It’s all a bit frantic but (nevertheless) kinda pretty; like watching the waves of the North Atlantic rolling across the bow of a helpless freighter. This is some seriously good stuff from some boys from just around the corner in Northwest Indiana.

MP3:
Native - Ride The Tide